Hand-knotted in New Zealand wool, these surfaces began as palm-sized painted explorations expanded nearly a hundredfold into 5x8’ rugs.

At the warehouse, the dead stock piles of yarn contain many colors that can seamlessly be dyed in shades of black. Tagging along is the pile that is un-dyed, adding to the whites.

Charcoal picked up from the firewood of the chulha is diluted with water to make inks, followed by an intuitive, meditative translation of stains onto small format papers that eventually emerge into large composed forms. Shades of black, grey and white come together in shifted scales where knots become pixels, and yarn becomes residue.

Floor rugs speckled in charcoal dust like grit and ebony.