Hand-knotted in varieties of wool, these surfaces began as palm-sized visuals expanded nearly a hundredfold into 5x8’ rugs.

The deadstock piles of yarn contain many colors that can easily be dyed in shades of black. Tagging along is the pile of deadstock yarn that is un-dyed, adding to the whites. Charcoal picked up from the firewood of the chulha is diluted in water to make an ink, followed by an intuitive, meditative translation of stains onto small format papers that eventually emerge into composed forms. Shades of black, grey and white come together in shifted scales where knots become pixels, and yarn becomes residue.

Floor rugs speckled in charcoal dust like grit and ebony.